Benji Kirkpatrick (Bellowhead, Faustus)
"The playability of this bouzouki is fantastic, as soon as I picked it up it felt totally comfortable. The feel of the neck is superb, very natural and the fingers glide very easily up and down the fretboard. It has a great range of sound; perfect clarity when you're playing melody lines or delicately picking and a considerable amount of punch when strumming hard. The carved back really projects the sound forward and it feels incredibly robust and able to withstand a good hammering without sonically falling apart. There's nothing contained about the sound either, it's immediately open and wants to fill the space generously. I'm extremely pleased with this bouzouki, Paul has constructed a thing of beauty. And to top it off it's called the 'Axe'… Genius."..................Benji plays a Shippey "Axe" bouzouki made in 2015, cedar top mandolin made in 1996 and "Axe" mandolin made in 2012
Ewan Macpherson (Shooglenifty )
" I have been happily playing Paul Shippey's instruments for over 20 years, My first octave mandolin came from Paul when he was working out of Rod Button's shop in Weston-Super-Mare, it is a very playable, solid instrument, with good tone across the range still in good shape after many years hard playing. I commissioned Paul to build me his (and my) first 10-string mandolin over ten years ago, it's been my main instrument ever since, I have used it to perform with Shooglenifty, Malinky, Patsy Reid Band and many other artists. It just keeps on getting better, with great tone across the range, is loud enough to punch through in sessions and with the Baggs Element and D-Tar Preamp sounds rich and strong though a PA. Besides playability and great tone, one of the main reason's why I love my Shippey 10-String is reliability. It has taken a hell of a lot of abuse in many different climates from the hot, dry desert climate of Rajahstan to humid rainforests in Borneo and freezing Scottish stages at Hogmanay and never let me down! If you buy one of Paul's instruments you are taking home a creation made by a luthier who understands the needs of musicians, a finely crafted instrument which is the culmination of many years hard work honing skills, techniques and designs, combined with a passion to make musical instruments designed to last a lifetime. "
"The (Shippey) A5 is a magnificent hand-crafted instrument with an outstanding tone and beautiful response across the whole range of the fingerboard."
DAVE GRIFFITHS - (Mandolin Express, Brejeiro)
“I asked Paul if he would customise his standard A5 design for me to accommodate my crazy demands for the perfect mandolin and what a brilliant job he has done. The sound is big with a great response and dynamic range which, incredibly, is true across all strings and over the whole range of the fret board. The fitted bridge generates a depth of tone as well as brightness with lasting overtones that produce an excellent sustain. I am using it for folk-blues, ragtime, choro, jazz and classical. It can pretty much handle the lot and has already proven itself in the recording studio. The chop is big and chunky while the instrument is also capable of great delicacy and expression. The craftsmanship is superb, it's beautiful to look at, simple and elegant in design and a joy to play. Thanks Paul.” .............(Dave plays a Shippey A5 Mandolin made in 2014)
CAMERON ROBSON - (Bellevue Rendezvous)
"Paul made me a Cittern that is a beautiful looking, playing and sounding instrument crafted to the highest standard. It cuts through the mix with a lovely full warm tone and looks the business."
PETER JAN DAEMS -(MANdolinMAN)
"For over 10 years now I've been playing and loving Paul's 10-string mandolin. At the time I was looking for an instrument that would give enough volume for playing acoustic sessions as well as a round mids, a warm bass and delicate high tones suitable for recordings. The instrument Paul built for me fulfilled all those wishes and gave me much more than that... The larger body and carved top are designed in a way that the bottom C-string blends harmonically with the other strings. It also gives that extra warmth that makes the instrument unique. In the MANdolinMAN quartet I play actually this gives me the ability to combine gentle melody and alto second voice playing. Besides that, for accompanying it combines wide range arpeggio playing with punchy strumming due to the extra bass string. Furthermore, being played on intensively for over 10 years in many different circumstances, the mandolin looks in amazingly almost mint condition. The many hours of finishing and polishing Paul applied on the instrument make it very protected against tough conditions, just like Ewan mentioned, though preserving the delicate look of the instrument."
Robin Jones from “The Trials of Cato” playing his Shippey ‘Axe’ Bouzouki
Ward Dhoore of Snaarmaarwaar plays his Shippey “Axe” mandolin
Cameron Robson of Bellevue Rendezvous playing his Shippey black top Cittern
Joel McDermott playing his Shippey A5 mandolin
Peter Jan Daems of MANdolinMAN plays his Shippey 10-string mandolin
Some artists who play Shippey instruments
Plays a Shippey “Axe” Bouzouki
Robin Jones – The Trials of Cato
Plays a Shippey “Axe” Bouzouki
Peter Jan Daems – MANdolinMAN
Plays a Shippey Ten-String Mandolin
Gwilym Bowen Rhys
Plays a Shippey A5 Mandolin
Plays a Shippey Cittern
Steve Grocott – The Drones
Plays a Shippey bouzouki and custom-made carved-top mandolin.
Chris Lee – Galleon Blast – The Family Mahone – Full House
Plays a Shippey A5 mandolin and Rosewood oval-hole mandolin.
Cris Pierssene – RSVP
Plays a Shippey electric mandolin
Plays a Shippey f-style mandolin.
Plays a Shippey cittern.
Huw Evans- Shinjig
Plays a Shippey solid body electric octave mandola and a Rosewood octave mandolin.